movies 100 theaters

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

domingo, 21 de noviembre de 2010

805. Roger & Me (1989)

Posted on 0:11 by Unknown
Running Time: 90 minutes
Directed By: Michael Moore
Written By: Michael Moore
Main Cast: Michael Moore, Roger Smith

MORE MOORE

After watching "Fahrenheit 9/11" earlier this week, I figured I'd might as well wrap up the Michael Moore films contained in the "1001" book and watch "Roger & Me" tonight, as I make my way a little bit closer to 201 films watched.

The 'Roger' in question is Roger Smith, CEO of General Motors. The film is set in Flint, Michigan and chronicles the hardships of the town following the closing of several auto plants, the towns primary source of employment for over 30,000 Flint citizens. The plants were closed, despite record profits being recorded by General Motors and plants were reopened in Mexico, where labor costs were cheaper. Michael Moore's main objective in "Roger & Me" is to get into contact with Roger Smith and ask him to accompany him back to Flint, Michigan, so that he can see some of the damage he has caused. Over the course of the documentary, Moore tries over and over to get some sit down time with Roger, but over and over he fails. When not trying to track down Smith, Moore interviews several citizens of Flint, including Sheriff Fred Ross, who has the unenviable task of evicting many Flint natives from their homes, due to inability to pay the rent. Moore continues to interview people from Flint, further driving home the realization of the hardships that befell the city and interviews some celebrities who grew up in Flint, like Bob Eubanks. Moore also interviews Miss Michigan, who when asked what she would like to say to the people of Flint, uses the time to remind the to keep their fingers crossed as she chased the Miss America crown.

I'm gonna' TRY to keep this review short & sweet as well, because I know there are a great number of Moore detractors out there and I wouldn't want to turn any of them off. To me, this film is incredibly sad. There is one portion of the film that shows Sheriff Fred Ross evicting a family on Christmas Eve. Another scene shows an evicted family set to be put out on the street, with several small children. I can't imagine what life in Flint must have been like during this terrible time, because even if you weren't directly affected by the layoffs, the film makes note of the rising crime rate in the city and that must have been hell too. I guess if I were someone who believes what Moore says (I won't say whether I am or I am not), then I would probably be comparing Roger Smith to a part of the human anatomy that is primarily used for sitting.

Now, of course, you can make the argument that these Flint residents should've managed their money a little better and prepared for a rainy day and then maybe when the GM plants closed down they would've been a little bit more prepared and not have had to resort to beating rabbits over the head for sustenance. But doesn't a proper company give a little something to it's laid off employees, especially when they're recording record profits? Doesn't a proper company offer retraining programs? Doesn't a proper company give back to the employees who slaved for years and years, working on the assembly lines? I don't know, I'm just asking.

I guess, in the end, this movie really just makes me appreciate the fact that I have a stable job. So I better wrap up this review, because I'm due in at 8am.

RATING: 10/10 Probably right up there with "Bowling for Columbine" as far as best Moore movie I've seen. And hey, why isn't "BFC" in the book? My TOP 20 making job just got harder.

MOVIES WATCHED: 197
MOVIES LEFT TO WATCH: 804

November 21, 2010 12:11am

Enviar por correo electrónicoEscribe un blogCompartir en XCompartir con Facebook
Posted in Michael Moore | No comments
Entrada más reciente Entrada antigua Inicio

0 comentarios:

Publicar un comentario

Suscribirse a: Enviar comentarios (Atom)

Popular Posts

  • 411. Khaneh siah ast/The House is Black (1963)
    Running Time: 22 minutes Directed By: Forugh Farrokhzad Written By: Forugh Farrokhzad Main Cast: (narration): Ebrahim Golestan, Forugh F...
  • From 30's to 40's
    I've spent a considerable amount of time getting to know the scope of cinema that was the 1930s. It was a colorful decade, full of lots ...

Categories

  • Aditya Chopra
  • Agnes Varda
  • Albert Brooks
  • Alejandro Jodorowsky
  • Aleksandr Dovzhenko
  • Alexander Mackendrick
  • Alexander Payne
  • Alfred Hitchcock
  • Amy Heckerling
  • Anatole Litvak
  • Andre Delvaux
  • Ang Lee
  • Arthur Penn
  • Barbet Schroeder
  • Ben Sharpsteen
  • Blake Edwards
  • Bob Clark
  • Bob Fosse
  • Bong Joon-ho
  • Busby Berkeley
  • Carl Reiner
  • Carl Theodor Dreyer
  • Carlos Saura
  • Carol Reed
  • Chantal Akerman
  • Charles Chaplin
  • Charles Crichton
  • Charles Vidor
  • Chris Marker
  • Christopher Nolan
  • Claude Chabrol
  • Curtis Hanson
  • Daniel Myrick
  • Danis Tanovic
  • Dario Argento
  • Dariush Mehrjui
  • David Cronenberg
  • David Hand
  • David Lean
  • David Zucker
  • Derek Jarman
  • Don Siegel
  • Dorothy Arzner
  • Douglas Sirk
  • Edgar G. Ulmer
  • Eduardo Sanchez
  • Edward Dmytryk
  • Edward F. Cline
  • Edward Yang
  • Elaine May
  • Elia Kazan
  • Elmar Klos
  • Emeric Pressburger
  • Emile de Antonio
  • Eric Rohmer
  • Ernest B. Schoedsack
  • Ernst Lubitsch
  • Errol Morris
  • F.W. Murnau
  • Federico Fellini
  • Fei Mu
  • Florian Henckel von Donnersmarck
  • Forugh Farrokhzad
  • Franco E. Prosperi
  • Francois Girard
  • Frank Capra
  • Frank Darabont
  • Frank Lloyd
  • Franklin J. Schaffner
  • Fred Schepisi
  • Fred Zinnemann
  • Fritz Lang
  • Garry Marshall
  • Gaspar Noe
  • Gene Kelly
  • George A. Romero
  • George Cukor
  • George Marshall
  • George Roy Hill
  • George Stevens
  • George Waggner
  • Georges Franju
  • Gillo Pontecorvo
  • Gregory La Cava
  • Gualtiero Jacopetti
  • Guy Hamilton
  • Hal Ashby
  • Hal Hartley
  • Hamilton Luske
  • Hans Petter Moland
  • Harold Ramis
  • Hayao Miyazaki
  • Hector Babenco
  • Hideo Nakata
  • Hiroshi Teshigahara
  • Howard Hawks
  • Humphrey Jennings
  • Ingmar Bergman
  • Ivan Reitman
  • Jacques Tourneur
  • James Foley
  • James L. Brooks
  • James Whale
  • Jan Kadar
  • Jan Svankmajer
  • Jane Campion
  • Jay Roach
  • Jean Renoir
  • Jean Vigo
  • Jean-Luc Godard
  • Jean-Pierre Jeunet
  • Jean-Pierre Melville
  • Jerome Robbins
  • Jerry Lewis
  • Jim McBride
  • Jim Sharman
  • Jim Sheridan
  • Jiri Menzel
  • Joe Wright
  • Joel Coen
  • John Boorman
  • John Carney
  • John Carpenter
  • John Ford
  • John Frankenheimer
  • John G. Avildsen
  • John Hughes
  • John Huston
  • John Landis
  • John Lasseter
  • John McTiernan
  • John Schlesinger
  • Jonathan Dayton
  • Jonathan Demme
  • Josef von Sternberg
  • Joseph L. Mankiewicz
  • Joseph Losey
  • Julien Duvivier
  • Karel Reisz
  • Ken Loach
  • Kenji Mizoguchi
  • Kenneth Anger
  • Kevin Costner
  • Kevin Smith
  • Kim Ki-duk
  • King Hu
  • King Vidor
  • Larry Charles
  • Lars von Trier
  • Lawrence Kasdan
  • Leni Riefenstahl
  • Leo McCarey
  • Lewis Milestone
  • Lindsay Anderson
  • Lloyd Bacon
  • Lowell Sherman
  • Luis Bunuel
  • Ma-Xu Weibang
  • Marcel Carne
  • Mark Sandrich
  • Marlon Brando
  • Martin Ritt
  • Mel Brooks
  • Mel Stuart
  • Merian C. Cooper
  • Mervyn LeRoy
  • Michael Curtiz
  • Michael Haneke
  • Michael Moore
  • Michael Powell
  • Michael Snow
  • Michelangelo Antonioni
  • Mike Hodges
  • Mike Nichols
  • Miklos Jancso
  • Nelson Pereira dos Santos
  • Norman Jewison
  • Norman Z. McLeod
  • Olivier Dahan
  • Orson Welles
  • Otto Preminger
  • Paolo Cavara
  • Park Chan-wook
  • Paul Haggis
  • Paul Thomas Anderson
  • Penny Marshall
  • Peter Bogdanovich
  • Peter Greenaway
  • Peter Jackson
  • Peter Watkins
  • Peter Weir
  • Phillip Noyce
  • Pier Paolo Pasolini
  • Preston Sturges
  • Quentin Tarantino
  • Randa Haines
  • Raoul Walsh
  • Ray Lawrence
  • Rene Clair
  • Richard Attenborough
  • Richard Lester
  • Richard Linklater
  • Rob Reiner
  • Robert Aldrich
  • Robert Benton
  • Robert J. Flaherty
  • Robert Mulligan
  • Robert Redford
  • Robert Rossen
  • Robert Wise
  • Roger Corman
  • Roman Polanski
  • Rouben Mamoulian
  • Sacha Guitry
  • Sam Mendes
  • Sam Raimi
  • Sam Wood
  • Sergei Parajanov
  • Sergei Yutkevich
  • Sergio Leone
  • Sidney Lumet
  • Stan Brakhage
  • Stanley Donen
  • Stephen Frears
  • Steve James
  • Steven Soderbergh
  • Steven Spielberg
  • Stuart Rosenberg
  • Takashi Miike
  • Tay Garnett
  • Terence Fisher
  • Theo Angelopoulos
  • Thomas Vinterberg
  • Tim Burton
  • Tod Browning
  • Valerie Faris
  • Vera Chytilova
  • Victor Fleming
  • W.S. Van Dyke
  • Wes Craven
  • William A. Seiter
  • William A. Wellman
  • William Cameron Menzies
  • William Dieterle
  • William Friedkin
  • William Keighley
  • William Wyler
  • Wim Wenders
  • Wojciech Has
  • Wolfgang Reitherman
  • Woody Allen

Blog Archive

  • ►  2012 (81)
    • ►  mayo (10)
    • ►  abril (20)
    • ►  marzo (11)
    • ►  febrero (1)
    • ►  enero (39)
  • ►  2011 (216)
    • ►  diciembre (30)
    • ►  noviembre (19)
    • ►  octubre (17)
    • ►  septiembre (2)
    • ►  agosto (23)
    • ►  julio (47)
    • ►  junio (9)
    • ►  mayo (1)
    • ►  abril (25)
    • ►  marzo (20)
    • ►  febrero (22)
    • ►  enero (1)
  • ▼  2010 (190)
    • ►  diciembre (2)
    • ▼  noviembre (32)
      • 845. Reservoir Dogs (1992)
      • TOP 20: #102 - #201
      • 679. Fast Times at Ridgemont High (1982)
      • 213. Louisiana Story (1948)
      • Retro Repost: TOP 20: #1 - #101
      • 985. Brokeback Mountain (2005)
      • 370. La jetee/The Pier (1961)
      • 805. Roger & Me (1989)
      • 955. Wo hu cang long/Crouching Tiger, Hidden Drago...
      • 766. Broadcast News (1987)
      • COMING SOON: Countdown to the TOP 20 Edition
      • 918. The Ice Storm (1997)
      • 981. Sideways (2004)
      • 864. Hsi yen/The Wedding Banquet (1993)
      • 982. Fahrenheit 9/11 (2004)
      • 758. Der Himmel uber Berlin/Wings of Desire (1987)
      • 483. if... (1968)
      • ANG LEE WEEK Begins Monday
      • A Word (or Two) About Hitchcock
      • 555. FRENZY (1972)
      • 971. Irreversible (2002)
      • Coming Soon: 11/08/10 - 11/14/10
      • 396. The Birds (1963)
      • 156. Yankee Doodle Dandy (1942)
      • 916. L.A. Confidential (1997)
      • 363. PSYCHO (1960)
      • 219. White Heat (1949)
      • 890. Toy Story (1995)
      • 418. MARNIE (1964)
      • October 2010 RECAP
      • Coming Soon: 11/01/10 - 11/07/10
      • 641. Halloween (1978)
    • ►  octubre (32)
    • ►  septiembre (27)
    • ►  julio (8)
    • ►  junio (4)
    • ►  mayo (1)
    • ►  marzo (25)
    • ►  febrero (34)
    • ►  enero (25)
  • ►  2009 (12)
    • ►  diciembre (12)
Con la tecnología de Blogger.

Datos personales

Unknown
Ver todo mi perfil