movies 100 theaters

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

martes, 9 de agosto de 2011

373. Breakfast at Tiffany's (1961)

Posted on 13:28 by Unknown
Running Time: 115 minutes

Directed By: Blake Edwards

Written By: George Axelrod, from novel by Truman Capote

Main Cast: Audrey Hepburn, George Peppard, Patricia Neal, Buddy Ebsen, Martin Balsam



ON MY JOURNEY I MET A GIRL NAMED AUDREY



Actually, I met Audrey in an earlier film I watched for the book, "The Lavender Hill Mob", when she made a cameo appearance, but who's counting. Believe it or not, I had never seen "Breakfast at Tiffany's" prior to last night and once again the book serves me up an absolutely fantastic film.



Audrey Hepburn is Holly Golightly, a socialite girl who lives in New York and lives off the gifts of generous men, who can't help but be enamored by her. When the film opens, Holly steps out of a cab, nibbling on a pastry and sipping a cup of coffee, early in the morning and strolls along in front of Tiffany's, perusing the merchandise. Returning home, she is chased down by a gentleman caller, that she apparently entertained the night before, who wants nothing more than a little more of her company. Holly slams the door in his face and goes to sleep. When she awakes, she is awakened by the new gentleman living in her building, Paul Varjak (Peppard), who politely asks to use her phone. She allows it and they immediately strike up a conversation. Holly tells Paul that she'll be going today to visit Sally Tomato in Sing Sing, an ex-crime boss who pays Holly to come once a week and visit him in prison. As the film progresses, Holly and Paul become closer and closer and it's apparent that Paul isn't much different from Holly, a drifter - someone who belongs to no one and has no one. Holly's ultimate goal is to find a rich man, so she can live comfortably for the rest of her life and Paul's ultimate goal quickly turns from getting his writing published, to securing Holly as his own.



SPOILER ALERT!



I think I've just realized something - the best movies are the ones that are tougher for me to write about. There's something about the really good ones that makes me freeze up when my fingers start clacking away at the keyboard. Anyway, in a word, "Breakfast at Tiffany's" is fantastic. I wasn't really sure what to expect going into this, as the only things I really knew about it were the facts that Truman Capote wrote the novella and that Audrey Hepburn wore a black dress that would ultimately make her a symbol of elegance for years to come. Even today, if you stroll past the home and living section of Wal-Mart, you can find cheap wall art of Audrey in her black dress and holding her entirely too long cigarette holder.



Anyway, I'm not really tackling my thoughts now, am I? From the opening scene of the city of New York stripped of it's people and one single girl (Holly) stepping out of that cab and strolling around on the barren streets, I knew this movie was going to be something special. The soft score being slowly poured over the images, only helped to make the moment more magical, as I gazed at the beautiful Audrey Hepburn. Once the film got started, at first, I was a little confused. Nothing really seemed to mesh together. We had characters whom I really didn't understand entirely. Were Holly and Paul, female and male prostitutes respectively? As the film rolled on it became clear that Holly wasn't a prostitute per se, but rather a social girl who didn't mind accepting a handout. I think, however, you can still view the film as if she is a call girl. I think it makes it better actually. Having to think up certain, specific words to define Holly, when she's clearly a call girl, just gets in the way and it's easier to imagine this writer falling in love with a call girl and being unable to secure her.



In the film, Holly represents that uncatchable fish that Paul just can't seem to reel in (until the end). She likes him and he loves her, but she's too bogged down with "responsibilities" to take his love seriously. I think as a man, I can speak for all men and say that I think we've all met a girl like Holly in our lifetime, at some point. A girl that we had feelings for, but that there was no way in hell we were ever going to tie down with marriage or even a committed relationship. That's who Holly was in this film. A girl who flew by the seat of her pants and didn't intend on getting tied down, who accepted any favor she could garner from any man who would offer it and lived off of them. It was just a really fun film, beautifully shot and wonderfully acted film, that I already want to go and re-live again.



RATING: 8.5/10 I'm probably undercutting it a little, but for now I'll play it safe and go with an '8.5'. Don't be surprised to see my come back here sometime in the next week with reviews for "My Fair Lady" and "Roman Holiday".



MOVIES WATCHED: 318

MOVIES LEFT TO WATCH:
683



August 9, 2011 1:28pm





Enviar por correo electrónicoEscribe un blogCompartir en XCompartir con Facebook
Posted in Blake Edwards | No comments
Entrada más reciente Entrada antigua Inicio

0 comentarios:

Publicar un comentario

Suscribirse a: Enviar comentarios (Atom)

Popular Posts

  • 411. Khaneh siah ast/The House is Black (1963)
    Running Time: 22 minutes Directed By: Forugh Farrokhzad Written By: Forugh Farrokhzad Main Cast: (narration): Ebrahim Golestan, Forugh F...
  • From 30's to 40's
    I've spent a considerable amount of time getting to know the scope of cinema that was the 1930s. It was a colorful decade, full of lots ...

Categories

  • Aditya Chopra
  • Agnes Varda
  • Albert Brooks
  • Alejandro Jodorowsky
  • Aleksandr Dovzhenko
  • Alexander Mackendrick
  • Alexander Payne
  • Alfred Hitchcock
  • Amy Heckerling
  • Anatole Litvak
  • Andre Delvaux
  • Ang Lee
  • Arthur Penn
  • Barbet Schroeder
  • Ben Sharpsteen
  • Blake Edwards
  • Bob Clark
  • Bob Fosse
  • Bong Joon-ho
  • Busby Berkeley
  • Carl Reiner
  • Carl Theodor Dreyer
  • Carlos Saura
  • Carol Reed
  • Chantal Akerman
  • Charles Chaplin
  • Charles Crichton
  • Charles Vidor
  • Chris Marker
  • Christopher Nolan
  • Claude Chabrol
  • Curtis Hanson
  • Daniel Myrick
  • Danis Tanovic
  • Dario Argento
  • Dariush Mehrjui
  • David Cronenberg
  • David Hand
  • David Lean
  • David Zucker
  • Derek Jarman
  • Don Siegel
  • Dorothy Arzner
  • Douglas Sirk
  • Edgar G. Ulmer
  • Eduardo Sanchez
  • Edward Dmytryk
  • Edward F. Cline
  • Edward Yang
  • Elaine May
  • Elia Kazan
  • Elmar Klos
  • Emeric Pressburger
  • Emile de Antonio
  • Eric Rohmer
  • Ernest B. Schoedsack
  • Ernst Lubitsch
  • Errol Morris
  • F.W. Murnau
  • Federico Fellini
  • Fei Mu
  • Florian Henckel von Donnersmarck
  • Forugh Farrokhzad
  • Franco E. Prosperi
  • Francois Girard
  • Frank Capra
  • Frank Darabont
  • Frank Lloyd
  • Franklin J. Schaffner
  • Fred Schepisi
  • Fred Zinnemann
  • Fritz Lang
  • Garry Marshall
  • Gaspar Noe
  • Gene Kelly
  • George A. Romero
  • George Cukor
  • George Marshall
  • George Roy Hill
  • George Stevens
  • George Waggner
  • Georges Franju
  • Gillo Pontecorvo
  • Gregory La Cava
  • Gualtiero Jacopetti
  • Guy Hamilton
  • Hal Ashby
  • Hal Hartley
  • Hamilton Luske
  • Hans Petter Moland
  • Harold Ramis
  • Hayao Miyazaki
  • Hector Babenco
  • Hideo Nakata
  • Hiroshi Teshigahara
  • Howard Hawks
  • Humphrey Jennings
  • Ingmar Bergman
  • Ivan Reitman
  • Jacques Tourneur
  • James Foley
  • James L. Brooks
  • James Whale
  • Jan Kadar
  • Jan Svankmajer
  • Jane Campion
  • Jay Roach
  • Jean Renoir
  • Jean Vigo
  • Jean-Luc Godard
  • Jean-Pierre Jeunet
  • Jean-Pierre Melville
  • Jerome Robbins
  • Jerry Lewis
  • Jim McBride
  • Jim Sharman
  • Jim Sheridan
  • Jiri Menzel
  • Joe Wright
  • Joel Coen
  • John Boorman
  • John Carney
  • John Carpenter
  • John Ford
  • John Frankenheimer
  • John G. Avildsen
  • John Hughes
  • John Huston
  • John Landis
  • John Lasseter
  • John McTiernan
  • John Schlesinger
  • Jonathan Dayton
  • Jonathan Demme
  • Josef von Sternberg
  • Joseph L. Mankiewicz
  • Joseph Losey
  • Julien Duvivier
  • Karel Reisz
  • Ken Loach
  • Kenji Mizoguchi
  • Kenneth Anger
  • Kevin Costner
  • Kevin Smith
  • Kim Ki-duk
  • King Hu
  • King Vidor
  • Larry Charles
  • Lars von Trier
  • Lawrence Kasdan
  • Leni Riefenstahl
  • Leo McCarey
  • Lewis Milestone
  • Lindsay Anderson
  • Lloyd Bacon
  • Lowell Sherman
  • Luis Bunuel
  • Ma-Xu Weibang
  • Marcel Carne
  • Mark Sandrich
  • Marlon Brando
  • Martin Ritt
  • Mel Brooks
  • Mel Stuart
  • Merian C. Cooper
  • Mervyn LeRoy
  • Michael Curtiz
  • Michael Haneke
  • Michael Moore
  • Michael Powell
  • Michael Snow
  • Michelangelo Antonioni
  • Mike Hodges
  • Mike Nichols
  • Miklos Jancso
  • Nelson Pereira dos Santos
  • Norman Jewison
  • Norman Z. McLeod
  • Olivier Dahan
  • Orson Welles
  • Otto Preminger
  • Paolo Cavara
  • Park Chan-wook
  • Paul Haggis
  • Paul Thomas Anderson
  • Penny Marshall
  • Peter Bogdanovich
  • Peter Greenaway
  • Peter Jackson
  • Peter Watkins
  • Peter Weir
  • Phillip Noyce
  • Pier Paolo Pasolini
  • Preston Sturges
  • Quentin Tarantino
  • Randa Haines
  • Raoul Walsh
  • Ray Lawrence
  • Rene Clair
  • Richard Attenborough
  • Richard Lester
  • Richard Linklater
  • Rob Reiner
  • Robert Aldrich
  • Robert Benton
  • Robert J. Flaherty
  • Robert Mulligan
  • Robert Redford
  • Robert Rossen
  • Robert Wise
  • Roger Corman
  • Roman Polanski
  • Rouben Mamoulian
  • Sacha Guitry
  • Sam Mendes
  • Sam Raimi
  • Sam Wood
  • Sergei Parajanov
  • Sergei Yutkevich
  • Sergio Leone
  • Sidney Lumet
  • Stan Brakhage
  • Stanley Donen
  • Stephen Frears
  • Steve James
  • Steven Soderbergh
  • Steven Spielberg
  • Stuart Rosenberg
  • Takashi Miike
  • Tay Garnett
  • Terence Fisher
  • Theo Angelopoulos
  • Thomas Vinterberg
  • Tim Burton
  • Tod Browning
  • Valerie Faris
  • Vera Chytilova
  • Victor Fleming
  • W.S. Van Dyke
  • Wes Craven
  • William A. Seiter
  • William A. Wellman
  • William Cameron Menzies
  • William Dieterle
  • William Friedkin
  • William Keighley
  • William Wyler
  • Wim Wenders
  • Wojciech Has
  • Wolfgang Reitherman
  • Woody Allen

Blog Archive

  • ►  2012 (81)
    • ►  mayo (10)
    • ►  abril (20)
    • ►  marzo (11)
    • ►  febrero (1)
    • ►  enero (39)
  • ▼  2011 (216)
    • ►  diciembre (30)
    • ►  noviembre (19)
    • ►  octubre (17)
    • ►  septiembre (2)
    • ▼  agosto (23)
      • 1001 Movies You Must See Before You Die: Updated E...
      • Hiatus Time...Again
      • 467. Cool Hand Luke (1967)
      • 462. HOMBRE (1967)
      • 403. HUD (1963)
      • 380. The Hustler (1961)
      • 505. Le Boucher/The Butcher (1969)
      • NEWMANIA!
      • 382. Mondo cane/A Dog's Life (1962)
      • 258. Roman Holiday (1953)
      • 466. Le Samourai/The Godson (1967)
      • 506. Sayat Nova/The Color of Pomegranates (1969)
      • 293. Bob le flambeur/Bob the Gambler (1955)
      • 373. Breakfast at Tiffany's (1961)
      • 485. The Producers (1968)
      • 427. GERTRUD (1964)
      • 208. The Snake Pit (1948)
      • 357. Saturday Night and Sunday Morning (1960)
      • 926. Saving Private Ryan (1998)
      • 860. Jurassic Park (1993)
      • 414. The Servant (1963)
      • July 2011 Recap
      • 865. Schindler's List (1993)
    • ►  julio (47)
    • ►  junio (9)
    • ►  mayo (1)
    • ►  abril (25)
    • ►  marzo (20)
    • ►  febrero (22)
    • ►  enero (1)
  • ►  2010 (190)
    • ►  diciembre (2)
    • ►  noviembre (32)
    • ►  octubre (32)
    • ►  septiembre (27)
    • ►  julio (8)
    • ►  junio (4)
    • ►  mayo (1)
    • ►  marzo (25)
    • ►  febrero (34)
    • ►  enero (25)
  • ►  2009 (12)
    • ►  diciembre (12)
Con la tecnología de Blogger.

Datos personales

Unknown
Ver todo mi perfil