movies 100 theaters

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

sábado, 5 de marzo de 2011

181. I Know Where I'm Going! (1945)

Posted on 14:58 by Unknown
Running Time: 92 minutes
Directed By: Michael Powell, Emeric Pressburger
Written By: Michael Powell, Emeric Pressburger
Main Cast: Wendy Hiller, Roger Livesey, Pamela Brown, Finlay Currie, George Carney

POWELL AND PRESSBURGER WEEK: PART 2

Next in our week dedicated to the writing and directing team of Michael Powell and Emeric Pressburger is "I Know Where I'm Going!". It's currently streaming via Netflix for those interested, but I'd say it's only for die hard fans of Powell and Pressburger who have yet to see this one. Personally, I was not enthused with it.

The plot is incredibly dry, in my opinion, and revolves around Joan Webster (Hiller), a woman who has always known exactly what she wanted and has made sure always to get it. From her days as a girl when she wrote to Father Christmas and asked him for a pair of silk stocking - "real silk, not imitation!", to her days as a young woman when she would find a man who would take her to the movies at least twice a week and to a nice restaurant once a month. As an adult, she has made up her mind on marriage and is determined to go to the Kiloran to marry a wealthy businessman, old enough to be her father. In fact, the film starts as she breaks the news to her own father and hops a train for her first stop in a number of stops before she finally arrives in Kiloran. Her last stop before catching a boat to Kiloran is the Isle of Mull, where she is forced to wait out the weather, first fog, which later turns to a full-scale gale. While stranded on the Isle of Mull, Joan meets several people, most notably Torquil MacNeil (Livesey), whom she becomes acquainted with. They basically mingle and get to know one another while they're stuck on the island, as MacNeil is also trying to get to Kiloran. Ultimately Joan can't bear to wait any longer and bribes a young sailor to take her to Kiloran, which leads to the films best scene as the young sailor, Joan and Torquil nearly die trying to get to Kiloran.

I've always tried to prevent myself from using the word "boring" when trying to describe the reasons why I don't like a film. I just think it's a very lazy way to sum up reasons for dismissing an entire production. However, I am going to use the word boring, but I will back that word up with some reasoning. This film was boring! There I've said it - now lets examine why, shall we? First of all, the entire plot revolves around a woman who know what she wants and in the end her plans are changed and she is forced to come to the realization that for the first time in her life she is living spontaneously. That's the core of this movie. In the meantime, she meets Torquil and they become friends, tip-toeing around a romantic relationship. I just found everything very dry and very uninteresting. Bearing in mind that I've only seen two of their pictures thus far, Powell and Pressburger seem to be making films that appeal to a much older audience. I can almost imagine my grandparents sitting around and watching the type of film like "I Know Where I'm Going!" on a Saturday afternoon, as it rained outside and they were huddled under afghans. It's not to say that I am not mature enough to realize the interest in a film like this, it's just that it all doesn't appeal to me and in the case of this particular film, I honestly don't understand how it can appeal to anyone. I found myself watching the clock, like a hawk and wanting this movie to just end and thank God it was only an hour and a half.



As for the positives, as few as there are, I think Roger Livesey was a great actor, although I did enjoy him in "Colonel Blimp" more than I did here. I also highly enjoyed the boat scene, where the trio were almost sucked into a vortex in the water. It was filmed really well and provided a little action and excitement in a film where excitement seemed to be banned. In fact, the camera work was all around really solid and there were a couple of really good shots, so kudos on that. That's about it, as far as pluses go. I'll keep this one short and sweet and suffice it to say that I did not enjoy "I Know Where I'm Going!".

RATING: 3/10 I'm not giving up on Powell and Pressburger just yet. Next up is "A Matter of Life and Death" and I have high hopes for this one. Should be back later today for that review.

MOVIES WATCHED: 226
MOVIES LEFT TO WATCH: 775

March 5, 2011 2:58pm

Enviar por correo electrónicoEscribe un blogCompartir en XCompartir con Facebook
Posted in Emeric Pressburger, Michael Powell | No comments
Entrada más reciente Entrada antigua Inicio

0 comentarios:

Publicar un comentario

Suscribirse a: Enviar comentarios (Atom)

Popular Posts

  • 411. Khaneh siah ast/The House is Black (1963)
    Running Time: 22 minutes Directed By: Forugh Farrokhzad Written By: Forugh Farrokhzad Main Cast: (narration): Ebrahim Golestan, Forugh F...
  • From 30's to 40's
    I've spent a considerable amount of time getting to know the scope of cinema that was the 1930s. It was a colorful decade, full of lots ...

Categories

  • Aditya Chopra
  • Agnes Varda
  • Albert Brooks
  • Alejandro Jodorowsky
  • Aleksandr Dovzhenko
  • Alexander Mackendrick
  • Alexander Payne
  • Alfred Hitchcock
  • Amy Heckerling
  • Anatole Litvak
  • Andre Delvaux
  • Ang Lee
  • Arthur Penn
  • Barbet Schroeder
  • Ben Sharpsteen
  • Blake Edwards
  • Bob Clark
  • Bob Fosse
  • Bong Joon-ho
  • Busby Berkeley
  • Carl Reiner
  • Carl Theodor Dreyer
  • Carlos Saura
  • Carol Reed
  • Chantal Akerman
  • Charles Chaplin
  • Charles Crichton
  • Charles Vidor
  • Chris Marker
  • Christopher Nolan
  • Claude Chabrol
  • Curtis Hanson
  • Daniel Myrick
  • Danis Tanovic
  • Dario Argento
  • Dariush Mehrjui
  • David Cronenberg
  • David Hand
  • David Lean
  • David Zucker
  • Derek Jarman
  • Don Siegel
  • Dorothy Arzner
  • Douglas Sirk
  • Edgar G. Ulmer
  • Eduardo Sanchez
  • Edward Dmytryk
  • Edward F. Cline
  • Edward Yang
  • Elaine May
  • Elia Kazan
  • Elmar Klos
  • Emeric Pressburger
  • Emile de Antonio
  • Eric Rohmer
  • Ernest B. Schoedsack
  • Ernst Lubitsch
  • Errol Morris
  • F.W. Murnau
  • Federico Fellini
  • Fei Mu
  • Florian Henckel von Donnersmarck
  • Forugh Farrokhzad
  • Franco E. Prosperi
  • Francois Girard
  • Frank Capra
  • Frank Darabont
  • Frank Lloyd
  • Franklin J. Schaffner
  • Fred Schepisi
  • Fred Zinnemann
  • Fritz Lang
  • Garry Marshall
  • Gaspar Noe
  • Gene Kelly
  • George A. Romero
  • George Cukor
  • George Marshall
  • George Roy Hill
  • George Stevens
  • George Waggner
  • Georges Franju
  • Gillo Pontecorvo
  • Gregory La Cava
  • Gualtiero Jacopetti
  • Guy Hamilton
  • Hal Ashby
  • Hal Hartley
  • Hamilton Luske
  • Hans Petter Moland
  • Harold Ramis
  • Hayao Miyazaki
  • Hector Babenco
  • Hideo Nakata
  • Hiroshi Teshigahara
  • Howard Hawks
  • Humphrey Jennings
  • Ingmar Bergman
  • Ivan Reitman
  • Jacques Tourneur
  • James Foley
  • James L. Brooks
  • James Whale
  • Jan Kadar
  • Jan Svankmajer
  • Jane Campion
  • Jay Roach
  • Jean Renoir
  • Jean Vigo
  • Jean-Luc Godard
  • Jean-Pierre Jeunet
  • Jean-Pierre Melville
  • Jerome Robbins
  • Jerry Lewis
  • Jim McBride
  • Jim Sharman
  • Jim Sheridan
  • Jiri Menzel
  • Joe Wright
  • Joel Coen
  • John Boorman
  • John Carney
  • John Carpenter
  • John Ford
  • John Frankenheimer
  • John G. Avildsen
  • John Hughes
  • John Huston
  • John Landis
  • John Lasseter
  • John McTiernan
  • John Schlesinger
  • Jonathan Dayton
  • Jonathan Demme
  • Josef von Sternberg
  • Joseph L. Mankiewicz
  • Joseph Losey
  • Julien Duvivier
  • Karel Reisz
  • Ken Loach
  • Kenji Mizoguchi
  • Kenneth Anger
  • Kevin Costner
  • Kevin Smith
  • Kim Ki-duk
  • King Hu
  • King Vidor
  • Larry Charles
  • Lars von Trier
  • Lawrence Kasdan
  • Leni Riefenstahl
  • Leo McCarey
  • Lewis Milestone
  • Lindsay Anderson
  • Lloyd Bacon
  • Lowell Sherman
  • Luis Bunuel
  • Ma-Xu Weibang
  • Marcel Carne
  • Mark Sandrich
  • Marlon Brando
  • Martin Ritt
  • Mel Brooks
  • Mel Stuart
  • Merian C. Cooper
  • Mervyn LeRoy
  • Michael Curtiz
  • Michael Haneke
  • Michael Moore
  • Michael Powell
  • Michael Snow
  • Michelangelo Antonioni
  • Mike Hodges
  • Mike Nichols
  • Miklos Jancso
  • Nelson Pereira dos Santos
  • Norman Jewison
  • Norman Z. McLeod
  • Olivier Dahan
  • Orson Welles
  • Otto Preminger
  • Paolo Cavara
  • Park Chan-wook
  • Paul Haggis
  • Paul Thomas Anderson
  • Penny Marshall
  • Peter Bogdanovich
  • Peter Greenaway
  • Peter Jackson
  • Peter Watkins
  • Peter Weir
  • Phillip Noyce
  • Pier Paolo Pasolini
  • Preston Sturges
  • Quentin Tarantino
  • Randa Haines
  • Raoul Walsh
  • Ray Lawrence
  • Rene Clair
  • Richard Attenborough
  • Richard Lester
  • Richard Linklater
  • Rob Reiner
  • Robert Aldrich
  • Robert Benton
  • Robert J. Flaherty
  • Robert Mulligan
  • Robert Redford
  • Robert Rossen
  • Robert Wise
  • Roger Corman
  • Roman Polanski
  • Rouben Mamoulian
  • Sacha Guitry
  • Sam Mendes
  • Sam Raimi
  • Sam Wood
  • Sergei Parajanov
  • Sergei Yutkevich
  • Sergio Leone
  • Sidney Lumet
  • Stan Brakhage
  • Stanley Donen
  • Stephen Frears
  • Steve James
  • Steven Soderbergh
  • Steven Spielberg
  • Stuart Rosenberg
  • Takashi Miike
  • Tay Garnett
  • Terence Fisher
  • Theo Angelopoulos
  • Thomas Vinterberg
  • Tim Burton
  • Tod Browning
  • Valerie Faris
  • Vera Chytilova
  • Victor Fleming
  • W.S. Van Dyke
  • Wes Craven
  • William A. Seiter
  • William A. Wellman
  • William Cameron Menzies
  • William Dieterle
  • William Friedkin
  • William Keighley
  • William Wyler
  • Wim Wenders
  • Wojciech Has
  • Wolfgang Reitherman
  • Woody Allen

Blog Archive

  • ►  2012 (81)
    • ►  mayo (10)
    • ►  abril (20)
    • ►  marzo (11)
    • ►  febrero (1)
    • ►  enero (39)
  • ▼  2011 (216)
    • ►  diciembre (30)
    • ►  noviembre (19)
    • ►  octubre (17)
    • ►  septiembre (2)
    • ►  agosto (23)
    • ►  julio (47)
    • ►  junio (9)
    • ►  mayo (1)
    • ►  abril (25)
    • ▼  marzo (20)
      • 991. Borat: Cultural Learnings of America for Make...
      • 790. DIE HARD (1988)
      • 473. The Jungle Book (1967)
      • 308. GIANT (1956)
      • 420. Suna no onna/Woman in the Dunes (1964)
      • 328. Sweet Smell of Success (1957)
      • 388. To Kill a Mockingbird (1962)
      • 315. 12 Angry Men (1957)
      • 218. Whisky Galore! (1949)
      • 290. The Ladykillers (1955)
      • 365. Peeping Tom (1960)
      • 211. The Red Shoes (1948)
      • 235. The Lavender Hill Mob (1951)
      • 194. Black Narcissus (1946)
      • 191. A Matter of Life and Death (1946)
      • 181. I Know Where I'm Going! (1945)
      • 659. Ordinary People (1980)
      • February 2011 Recap
      • 160. The Life and Death of Colonel Blimp (1943)
      • 521. L'uccello dalle piume di cristallo/The Bird w...
    • ►  febrero (22)
    • ►  enero (1)
  • ►  2010 (190)
    • ►  diciembre (2)
    • ►  noviembre (32)
    • ►  octubre (32)
    • ►  septiembre (27)
    • ►  julio (8)
    • ►  junio (4)
    • ►  mayo (1)
    • ►  marzo (25)
    • ►  febrero (34)
    • ►  enero (25)
  • ►  2009 (12)
    • ►  diciembre (12)
Con la tecnología de Blogger.

Datos personales

Unknown
Ver todo mi perfil