movies 100 theaters

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

martes, 29 de marzo de 2011

790. DIE HARD (1988)

Posted on 21:23 by Unknown
Running Time: 131 minutes
Directed by: John McTiernan
Written By: Jeb Stuart, Stephen E. de Souza, from the novel Nothing Lasts Forever by Roderick Thorp
Main Cast: Bruce Willis, Alan Rickman, Alexander Godunov, Bonnie Bedelia, Reginald VelJohnson

WARNING: IF YOU HAVE A PACEMAKER THIS REVIEW MAY BE TOO ACTION PACKED FOR YOU!

I cannot believe that the father from "Family Matters" just got his name into a blog dedicated to the "1001 Movies You Must See Before You Die". However, that's not a crack at this film, as I actually had a lot of fun with it and who doesn't love ol' Reginald VelJ.

John McClane (Willis) is an NYPD cop headed to Los Angeles for Christmas Eve to visit his estranged wife Holly (Bedelia). Upon arrival at the office building where she works as a top executive, the two have a little tiff, but before they can makeup the building is taken over by a group of terrorists. The terrorists are twelve strong and lead by Hans Gruber (Rickman) and they're after $640 million in bearer bonds that are locked in the office safe, which is secured by seven locks. While all of the people at the office Christmas party are taken hostage, McClane, who was relaxing in his wife's office, is able to escape throughout the building when he hears gunfire and in his own words, becomes a "fly in the ointment" of the terrorist group. One by one McClane begins to pick off the terrorists (NO, that's not a spoiler - It's an American action film folks, of course the hero is going to get at least a few lumps, if not the whole damn bowl) and picks up a walkie-talkie, where he can communicate with both the terrorists and the LAPD. Eventually our trusty, Twinky loving cop Al (VelJohnson) shows up and is McClane's go to guy on the radio, as Al and John talk each other through the ordeal and do their best to save the day.

POSSIBLE SPOILER ALERT!

This is probably the third or fourth time that I've seen "Die Hard" and every time I watch it, I seem to flip flop opinions on it. I remember the last time I watched it, I didn't like it at all and was actually prompted to sell my DVD copy of it. This time, though, I had a lot of fun and can finally, definitively say that this is a really fun action flick, with all of the cliches that we would all come to know and love from our action flicks.

Of course, like all actions films, this one is REALLY contrived. Everything seems to fall right into a convenient little place so that our two hour "heart stopper" can play out in full effect. John just happens to be in the building at the same time that the terrorists are in the building. John just happens to be barefoot and just happens to be presented with a floor covered in broken glass. Come to think of it, why didn't they play the Christmas card a little more? I mean, if (storyline wise) it was essential that the terrorists do their "job" on Christmas Eve, it would've made a lot more sense for McClane to be in the building at the same time as them, or at least more plausible - but that is never brought up. All contrivances aside, I'm able to suspend my disbelief for a couple of hours to enjoy this. I mean, come on guys, in the end we are watching movies and having a good time is what it's all about and "Die Hard" doesn't make you think a whole lot. It just gives you a group of foreign terrorists, a good guy cop, out of his element and cuts it all loose in a skyscraper. It's fun, it's harmless and it set the tone for all action films to come down the pike since 1988. I also love (to an extent) how John is just this New York cop who didn't even want to be in L.A. in the first place, but EH'...while he's there he might as well save a few lives and pick off a few Germans.

One more little thing I'd like to add and I do mean "little". I wish that they had tweaked the plot just a smidge to eliminate the meeting between John and Holly at the beginning of the film. I think it would have been really cool, had Holly not known that John was in the building. It would have given the hostages a little more to do too, instead of just sit in the background. They would be talking amongst themselves, trying to figure out who escaped and when they finally realized that everyone was in attendance, Holly would overhear John's voice on Hans' walkie-talkie and realize that her estranged husband was back in town, to save the day.

RATING: 7/10 It's fun, what do you want out of me? On this day, I needed a film that I could just watch, without really thinking and this film served its purpose...and then some.

MOVIES WATCHED: 240
MOVIES LEFT TO WATCH: 761

March 29, 2011 9:23pm

Enviar por correo electrónicoEscribe un blogCompartir en XCompartir con Facebook
Posted in John McTiernan | No comments
Entrada más reciente Entrada antigua Inicio

0 comentarios:

Publicar un comentario

Suscribirse a: Enviar comentarios (Atom)

Popular Posts

  • 411. Khaneh siah ast/The House is Black (1963)
    Running Time: 22 minutes Directed By: Forugh Farrokhzad Written By: Forugh Farrokhzad Main Cast: (narration): Ebrahim Golestan, Forugh F...
  • From 30's to 40's
    I've spent a considerable amount of time getting to know the scope of cinema that was the 1930s. It was a colorful decade, full of lots ...

Categories

  • Aditya Chopra
  • Agnes Varda
  • Albert Brooks
  • Alejandro Jodorowsky
  • Aleksandr Dovzhenko
  • Alexander Mackendrick
  • Alexander Payne
  • Alfred Hitchcock
  • Amy Heckerling
  • Anatole Litvak
  • Andre Delvaux
  • Ang Lee
  • Arthur Penn
  • Barbet Schroeder
  • Ben Sharpsteen
  • Blake Edwards
  • Bob Clark
  • Bob Fosse
  • Bong Joon-ho
  • Busby Berkeley
  • Carl Reiner
  • Carl Theodor Dreyer
  • Carlos Saura
  • Carol Reed
  • Chantal Akerman
  • Charles Chaplin
  • Charles Crichton
  • Charles Vidor
  • Chris Marker
  • Christopher Nolan
  • Claude Chabrol
  • Curtis Hanson
  • Daniel Myrick
  • Danis Tanovic
  • Dario Argento
  • Dariush Mehrjui
  • David Cronenberg
  • David Hand
  • David Lean
  • David Zucker
  • Derek Jarman
  • Don Siegel
  • Dorothy Arzner
  • Douglas Sirk
  • Edgar G. Ulmer
  • Eduardo Sanchez
  • Edward Dmytryk
  • Edward F. Cline
  • Edward Yang
  • Elaine May
  • Elia Kazan
  • Elmar Klos
  • Emeric Pressburger
  • Emile de Antonio
  • Eric Rohmer
  • Ernest B. Schoedsack
  • Ernst Lubitsch
  • Errol Morris
  • F.W. Murnau
  • Federico Fellini
  • Fei Mu
  • Florian Henckel von Donnersmarck
  • Forugh Farrokhzad
  • Franco E. Prosperi
  • Francois Girard
  • Frank Capra
  • Frank Darabont
  • Frank Lloyd
  • Franklin J. Schaffner
  • Fred Schepisi
  • Fred Zinnemann
  • Fritz Lang
  • Garry Marshall
  • Gaspar Noe
  • Gene Kelly
  • George A. Romero
  • George Cukor
  • George Marshall
  • George Roy Hill
  • George Stevens
  • George Waggner
  • Georges Franju
  • Gillo Pontecorvo
  • Gregory La Cava
  • Gualtiero Jacopetti
  • Guy Hamilton
  • Hal Ashby
  • Hal Hartley
  • Hamilton Luske
  • Hans Petter Moland
  • Harold Ramis
  • Hayao Miyazaki
  • Hector Babenco
  • Hideo Nakata
  • Hiroshi Teshigahara
  • Howard Hawks
  • Humphrey Jennings
  • Ingmar Bergman
  • Ivan Reitman
  • Jacques Tourneur
  • James Foley
  • James L. Brooks
  • James Whale
  • Jan Kadar
  • Jan Svankmajer
  • Jane Campion
  • Jay Roach
  • Jean Renoir
  • Jean Vigo
  • Jean-Luc Godard
  • Jean-Pierre Jeunet
  • Jean-Pierre Melville
  • Jerome Robbins
  • Jerry Lewis
  • Jim McBride
  • Jim Sharman
  • Jim Sheridan
  • Jiri Menzel
  • Joe Wright
  • Joel Coen
  • John Boorman
  • John Carney
  • John Carpenter
  • John Ford
  • John Frankenheimer
  • John G. Avildsen
  • John Hughes
  • John Huston
  • John Landis
  • John Lasseter
  • John McTiernan
  • John Schlesinger
  • Jonathan Dayton
  • Jonathan Demme
  • Josef von Sternberg
  • Joseph L. Mankiewicz
  • Joseph Losey
  • Julien Duvivier
  • Karel Reisz
  • Ken Loach
  • Kenji Mizoguchi
  • Kenneth Anger
  • Kevin Costner
  • Kevin Smith
  • Kim Ki-duk
  • King Hu
  • King Vidor
  • Larry Charles
  • Lars von Trier
  • Lawrence Kasdan
  • Leni Riefenstahl
  • Leo McCarey
  • Lewis Milestone
  • Lindsay Anderson
  • Lloyd Bacon
  • Lowell Sherman
  • Luis Bunuel
  • Ma-Xu Weibang
  • Marcel Carne
  • Mark Sandrich
  • Marlon Brando
  • Martin Ritt
  • Mel Brooks
  • Mel Stuart
  • Merian C. Cooper
  • Mervyn LeRoy
  • Michael Curtiz
  • Michael Haneke
  • Michael Moore
  • Michael Powell
  • Michael Snow
  • Michelangelo Antonioni
  • Mike Hodges
  • Mike Nichols
  • Miklos Jancso
  • Nelson Pereira dos Santos
  • Norman Jewison
  • Norman Z. McLeod
  • Olivier Dahan
  • Orson Welles
  • Otto Preminger
  • Paolo Cavara
  • Park Chan-wook
  • Paul Haggis
  • Paul Thomas Anderson
  • Penny Marshall
  • Peter Bogdanovich
  • Peter Greenaway
  • Peter Jackson
  • Peter Watkins
  • Peter Weir
  • Phillip Noyce
  • Pier Paolo Pasolini
  • Preston Sturges
  • Quentin Tarantino
  • Randa Haines
  • Raoul Walsh
  • Ray Lawrence
  • Rene Clair
  • Richard Attenborough
  • Richard Lester
  • Richard Linklater
  • Rob Reiner
  • Robert Aldrich
  • Robert Benton
  • Robert J. Flaherty
  • Robert Mulligan
  • Robert Redford
  • Robert Rossen
  • Robert Wise
  • Roger Corman
  • Roman Polanski
  • Rouben Mamoulian
  • Sacha Guitry
  • Sam Mendes
  • Sam Raimi
  • Sam Wood
  • Sergei Parajanov
  • Sergei Yutkevich
  • Sergio Leone
  • Sidney Lumet
  • Stan Brakhage
  • Stanley Donen
  • Stephen Frears
  • Steve James
  • Steven Soderbergh
  • Steven Spielberg
  • Stuart Rosenberg
  • Takashi Miike
  • Tay Garnett
  • Terence Fisher
  • Theo Angelopoulos
  • Thomas Vinterberg
  • Tim Burton
  • Tod Browning
  • Valerie Faris
  • Vera Chytilova
  • Victor Fleming
  • W.S. Van Dyke
  • Wes Craven
  • William A. Seiter
  • William A. Wellman
  • William Cameron Menzies
  • William Dieterle
  • William Friedkin
  • William Keighley
  • William Wyler
  • Wim Wenders
  • Wojciech Has
  • Wolfgang Reitherman
  • Woody Allen

Blog Archive

  • ►  2012 (81)
    • ►  mayo (10)
    • ►  abril (20)
    • ►  marzo (11)
    • ►  febrero (1)
    • ►  enero (39)
  • ▼  2011 (216)
    • ►  diciembre (30)
    • ►  noviembre (19)
    • ►  octubre (17)
    • ►  septiembre (2)
    • ►  agosto (23)
    • ►  julio (47)
    • ►  junio (9)
    • ►  mayo (1)
    • ►  abril (25)
    • ▼  marzo (20)
      • 991. Borat: Cultural Learnings of America for Make...
      • 790. DIE HARD (1988)
      • 473. The Jungle Book (1967)
      • 308. GIANT (1956)
      • 420. Suna no onna/Woman in the Dunes (1964)
      • 328. Sweet Smell of Success (1957)
      • 388. To Kill a Mockingbird (1962)
      • 315. 12 Angry Men (1957)
      • 218. Whisky Galore! (1949)
      • 290. The Ladykillers (1955)
      • 365. Peeping Tom (1960)
      • 211. The Red Shoes (1948)
      • 235. The Lavender Hill Mob (1951)
      • 194. Black Narcissus (1946)
      • 191. A Matter of Life and Death (1946)
      • 181. I Know Where I'm Going! (1945)
      • 659. Ordinary People (1980)
      • February 2011 Recap
      • 160. The Life and Death of Colonel Blimp (1943)
      • 521. L'uccello dalle piume di cristallo/The Bird w...
    • ►  febrero (22)
    • ►  enero (1)
  • ►  2010 (190)
    • ►  diciembre (2)
    • ►  noviembre (32)
    • ►  octubre (32)
    • ►  septiembre (27)
    • ►  julio (8)
    • ►  junio (4)
    • ►  mayo (1)
    • ►  marzo (25)
    • ►  febrero (34)
    • ►  enero (25)
  • ►  2009 (12)
    • ►  diciembre (12)
Con la tecnología de Blogger.

Datos personales

Unknown
Ver todo mi perfil