movies 100 theaters

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

martes, 3 de enero de 2012

547. SLEUTH (1972)

Posted on 3:55 by Unknown
Running Time: 138 minutes
Directed By: Joseph L. Mankiewicz
Written By: Anthony Shaffer, from his play
Main Cast: Laurence Olivier, Michael Caine
Click here to view the trailer

"THE PLOT, AS THEY SAY, THICKENS!"

Imagine my surprise when a film that I saw ten years ago and one that I've been trying to see again ever since, pops up as a result from my search inquiry on YouTube. Unlike this film, I'm going to spoil my surprise right up front - this film is a full blown '10', if I've ever saw one.

In England, Milo Tindle (Caine) accepts an invitation to visit the manor of Andrew Wyke (Olivier), the husband of the woman that he's been sleeping with. Andrew is a very wealthy author of mystery novels, while Tindle is less wealthy, making his earnings as a hairdresser. The meeting between the two starts out mannerly enough, with proper English pleasantries being tossed about. As the meeting progresses, the atmosphere becomes a little more heated, with Wyke demeaning the name of his wife, Marguerite, only to anger her current lover, Tindle. Eventually, Wyke makes the purpose of his suggested meeting known. Wyke suggests that since Tindle is merely a hairdresser, that he won't be able to provide for Marguerite, the lifestyle that she's come to expect from being married to him, a wealthy author. As far as Wyke is concerned, the marriage is over, as he's taken on a mistress of his own and wants to make sure that Marguerite is out of the picture for good. To ensure that Marguerite doesn't come back, citing that "the hairdresser" can't take care of her, Wyke proposes that Tindle steal a box of jewelry that Wyke keeps in a safe, in his study. The jewels are worth about 200,000 pounds and with them Tindle will be able to continue spoiling Marguerite. Also, Wyke will be able to collect the on the insurance policy that he took out on the jewels, so it's a win-win. Tindle, after some convincing, agrees to Wyke's plan and the two set out to stage a burglary. However, once the stage is set, Wyke has a change of plans.

SPOILER ALERT!

It had to be, at least, ten years ago when I saw "Sleuth" (for the first and only time, prior to tonight) and I can remember being totally blown away by it. Ever since then, I've been perusing Amazon over the years, searching for an affordable copy of this out-of-print film, but to no avail. When I purchased THE BOOK and realized that it was one of the elite 1001, it only gave THE BOOK more validity. Since September 2009, when I started my journey, I've been typing "Sleuth" into the search box at the Turner Movie Classics website, in hopes that they might be showing it and in higher hopes that I'd get to see it again. Again, to no avail I typed, month after month, unable to get lucky enough for them to fit "Sleuth" into their schedule. My recent trek into the "YouTube Files" with "The Man Who Had His Hair Cut Short" got me to thinking - "Maybe, just maybe, "Sleuth" is on YouTube!". Last night I searched it and was ecstatic when I actually found it.

This time around "Sleuth" was an entirely different viewing experience as it was the last time. Granted, it still "wowed" me, but it was different. For starters, my tastes have been refined, so I viewed it in an entirely different way, than I did before. Also, the last time I saw "Sleuth", I fell victim to the twists and turns, not knowing they were coming. I never forgot them. So, I knew about all the twists, but there's still the FANTASTIC acting, great dialogue and intimate atmosphere that are still in place to provide any viewer with a more than suitable cinematic experience. What I wrote above is merely the first act, in what I consider to be a three act play. Speaking of plays, I'm really starting to acquire a likeness for films that are based on stage plays, as they almost always appeal to me (see "12 Angry Men" and "Who's Afraid of Virginia Woolf?").

You know there's really not a lot to say about "Sleuth". It's a excellent movie and the reasons why are very clear. You have Laurence Olivier and Michael Caine, two outstanding actors, duking it out. At first it's Olivier who overwhelms as the outstanding actor, but Caine holds his own and makes a comeback in the second half, showing that he's no slouch. On top of the acting, you've got the superb dialogue, the intimacy of it all and don't forget the twists & turns, which I'm usually a total sucker for. It's one that I really want you all to see, because it's that good. You know the type - you see a film and you immediately wish everyone you know would see it, so you could all gather and gush about it. It's the type of movie that if you've seen it and then you watch it again with someone who hasn't, it really feels like you're watching it for the first time all over again. I'll stop now....but trust me, this is one you wanna' check out!

RATING: 10/10 As far as the TOP 20 goes...the plot, as they say, has just thickened!

MOVIES WATCHED: 384
MOVIES LEFT TO WATCH:
617

January 3, 2012 3:55am

Enviar por correo electrónicoEscribe un blogCompartir en XCompartir con Facebook
Posted in Joseph L. Mankiewicz | No comments
Entrada más reciente Entrada antigua Inicio

0 comentarios:

Publicar un comentario

Suscribirse a: Enviar comentarios (Atom)

Popular Posts

  • 411. Khaneh siah ast/The House is Black (1963)
    Running Time: 22 minutes Directed By: Forugh Farrokhzad Written By: Forugh Farrokhzad Main Cast: (narration): Ebrahim Golestan, Forugh F...
  • From 30's to 40's
    I've spent a considerable amount of time getting to know the scope of cinema that was the 1930s. It was a colorful decade, full of lots ...

Categories

  • Aditya Chopra
  • Agnes Varda
  • Albert Brooks
  • Alejandro Jodorowsky
  • Aleksandr Dovzhenko
  • Alexander Mackendrick
  • Alexander Payne
  • Alfred Hitchcock
  • Amy Heckerling
  • Anatole Litvak
  • Andre Delvaux
  • Ang Lee
  • Arthur Penn
  • Barbet Schroeder
  • Ben Sharpsteen
  • Blake Edwards
  • Bob Clark
  • Bob Fosse
  • Bong Joon-ho
  • Busby Berkeley
  • Carl Reiner
  • Carl Theodor Dreyer
  • Carlos Saura
  • Carol Reed
  • Chantal Akerman
  • Charles Chaplin
  • Charles Crichton
  • Charles Vidor
  • Chris Marker
  • Christopher Nolan
  • Claude Chabrol
  • Curtis Hanson
  • Daniel Myrick
  • Danis Tanovic
  • Dario Argento
  • Dariush Mehrjui
  • David Cronenberg
  • David Hand
  • David Lean
  • David Zucker
  • Derek Jarman
  • Don Siegel
  • Dorothy Arzner
  • Douglas Sirk
  • Edgar G. Ulmer
  • Eduardo Sanchez
  • Edward Dmytryk
  • Edward F. Cline
  • Edward Yang
  • Elaine May
  • Elia Kazan
  • Elmar Klos
  • Emeric Pressburger
  • Emile de Antonio
  • Eric Rohmer
  • Ernest B. Schoedsack
  • Ernst Lubitsch
  • Errol Morris
  • F.W. Murnau
  • Federico Fellini
  • Fei Mu
  • Florian Henckel von Donnersmarck
  • Forugh Farrokhzad
  • Franco E. Prosperi
  • Francois Girard
  • Frank Capra
  • Frank Darabont
  • Frank Lloyd
  • Franklin J. Schaffner
  • Fred Schepisi
  • Fred Zinnemann
  • Fritz Lang
  • Garry Marshall
  • Gaspar Noe
  • Gene Kelly
  • George A. Romero
  • George Cukor
  • George Marshall
  • George Roy Hill
  • George Stevens
  • George Waggner
  • Georges Franju
  • Gillo Pontecorvo
  • Gregory La Cava
  • Gualtiero Jacopetti
  • Guy Hamilton
  • Hal Ashby
  • Hal Hartley
  • Hamilton Luske
  • Hans Petter Moland
  • Harold Ramis
  • Hayao Miyazaki
  • Hector Babenco
  • Hideo Nakata
  • Hiroshi Teshigahara
  • Howard Hawks
  • Humphrey Jennings
  • Ingmar Bergman
  • Ivan Reitman
  • Jacques Tourneur
  • James Foley
  • James L. Brooks
  • James Whale
  • Jan Kadar
  • Jan Svankmajer
  • Jane Campion
  • Jay Roach
  • Jean Renoir
  • Jean Vigo
  • Jean-Luc Godard
  • Jean-Pierre Jeunet
  • Jean-Pierre Melville
  • Jerome Robbins
  • Jerry Lewis
  • Jim McBride
  • Jim Sharman
  • Jim Sheridan
  • Jiri Menzel
  • Joe Wright
  • Joel Coen
  • John Boorman
  • John Carney
  • John Carpenter
  • John Ford
  • John Frankenheimer
  • John G. Avildsen
  • John Hughes
  • John Huston
  • John Landis
  • John Lasseter
  • John McTiernan
  • John Schlesinger
  • Jonathan Dayton
  • Jonathan Demme
  • Josef von Sternberg
  • Joseph L. Mankiewicz
  • Joseph Losey
  • Julien Duvivier
  • Karel Reisz
  • Ken Loach
  • Kenji Mizoguchi
  • Kenneth Anger
  • Kevin Costner
  • Kevin Smith
  • Kim Ki-duk
  • King Hu
  • King Vidor
  • Larry Charles
  • Lars von Trier
  • Lawrence Kasdan
  • Leni Riefenstahl
  • Leo McCarey
  • Lewis Milestone
  • Lindsay Anderson
  • Lloyd Bacon
  • Lowell Sherman
  • Luis Bunuel
  • Ma-Xu Weibang
  • Marcel Carne
  • Mark Sandrich
  • Marlon Brando
  • Martin Ritt
  • Mel Brooks
  • Mel Stuart
  • Merian C. Cooper
  • Mervyn LeRoy
  • Michael Curtiz
  • Michael Haneke
  • Michael Moore
  • Michael Powell
  • Michael Snow
  • Michelangelo Antonioni
  • Mike Hodges
  • Mike Nichols
  • Miklos Jancso
  • Nelson Pereira dos Santos
  • Norman Jewison
  • Norman Z. McLeod
  • Olivier Dahan
  • Orson Welles
  • Otto Preminger
  • Paolo Cavara
  • Park Chan-wook
  • Paul Haggis
  • Paul Thomas Anderson
  • Penny Marshall
  • Peter Bogdanovich
  • Peter Greenaway
  • Peter Jackson
  • Peter Watkins
  • Peter Weir
  • Phillip Noyce
  • Pier Paolo Pasolini
  • Preston Sturges
  • Quentin Tarantino
  • Randa Haines
  • Raoul Walsh
  • Ray Lawrence
  • Rene Clair
  • Richard Attenborough
  • Richard Lester
  • Richard Linklater
  • Rob Reiner
  • Robert Aldrich
  • Robert Benton
  • Robert J. Flaherty
  • Robert Mulligan
  • Robert Redford
  • Robert Rossen
  • Robert Wise
  • Roger Corman
  • Roman Polanski
  • Rouben Mamoulian
  • Sacha Guitry
  • Sam Mendes
  • Sam Raimi
  • Sam Wood
  • Sergei Parajanov
  • Sergei Yutkevich
  • Sergio Leone
  • Sidney Lumet
  • Stan Brakhage
  • Stanley Donen
  • Stephen Frears
  • Steve James
  • Steven Soderbergh
  • Steven Spielberg
  • Stuart Rosenberg
  • Takashi Miike
  • Tay Garnett
  • Terence Fisher
  • Theo Angelopoulos
  • Thomas Vinterberg
  • Tim Burton
  • Tod Browning
  • Valerie Faris
  • Vera Chytilova
  • Victor Fleming
  • W.S. Van Dyke
  • Wes Craven
  • William A. Seiter
  • William A. Wellman
  • William Cameron Menzies
  • William Dieterle
  • William Friedkin
  • William Keighley
  • William Wyler
  • Wim Wenders
  • Wojciech Has
  • Wolfgang Reitherman
  • Woody Allen

Blog Archive

  • ▼  2012 (81)
    • ►  mayo (10)
    • ►  abril (20)
    • ►  marzo (11)
    • ►  febrero (1)
    • ▼  enero (39)
      • 404. Nattvardsgasterna/Winter Light (1963)
      • 378. Sasom i en spegel/Through a Glass Darkly (1961)
      • 469. Wavelength (1967)
      • 318. Smultronstallet/Wild Strawberries (1957)
      • 974. Kill BIll: Volume One (2003)
      • 316. Det sjunde inseglet/The Seventh Seal (1957)
      • 839. SLACKER (1991)
      • 298. Sommarnattens leende/Smiles of a Summer Night...
      • UPDATE - January 2012
      • TOP 20: #302 - #401
      • 502. In the Year of the Pig (1969)
      • 788. Topio stin omichli/Landscape in the Mist (1988)
      • The Road to 500 Begins Soon...
      • 389. The Manchurian Candidate (1962)
      • 428. Il Vangelo secondo Matteo/The Gospel Accordin...
      • Bergman Week - COMING NEXT WEEK
      • 544. CABARET (1972)
      • 436. La battaglia di Algeri/The Battle of Algiers ...
      • Bergman Week - COMING SOON
      • 200. Odd Man Out (1947)
      • 377. The Ladies Man (1961)
      • 397. The Nutty Professor (1963)
      • Bergman Week - COMING SOON
      • 393. What Ever Happened to Baby Jane? (1962)
      • 458. 2 ou 3 choses que je sais d'elle/Two or Three...
      • 456. Masculin, Feminin/Masculine-Feminine (1966)
      • Bergman Week - COMING SOON
      • 533. Get Carter (1971)
      • 443. Pierrot le Fou/Pierrot Goes Wild (1965)
      • 439. Alphaville, une etrange aventure de Lemmy Cau...
      • The Final 15 and Other Notes
      • Bergman Week - COMING SOON
      • 402. Le Mepris/Contempt (1963)
      • 453. In the Heat of the Night (1967)
      • 547. SLEUTH (1972)
      • Bergman Week - COMING SOON
      • 394. Vivre sa vie: film en douze tableaux/My Life ...
      • December 2011 Recap
      • 348. A bout de souffle/Breathless (1959)
  • ►  2011 (216)
    • ►  diciembre (30)
    • ►  noviembre (19)
    • ►  octubre (17)
    • ►  septiembre (2)
    • ►  agosto (23)
    • ►  julio (47)
    • ►  junio (9)
    • ►  mayo (1)
    • ►  abril (25)
    • ►  marzo (20)
    • ►  febrero (22)
    • ►  enero (1)
  • ►  2010 (190)
    • ►  diciembre (2)
    • ►  noviembre (32)
    • ►  octubre (32)
    • ►  septiembre (27)
    • ►  julio (8)
    • ►  junio (4)
    • ►  mayo (1)
    • ►  marzo (25)
    • ►  febrero (34)
    • ►  enero (25)
  • ►  2009 (12)
    • ►  diciembre (12)
Con la tecnología de Blogger.

Datos personales

Unknown
Ver todo mi perfil