movies 100 theaters

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

jueves, 19 de enero de 2012

839. SLACKER (1991)

Posted on 17:43 by Unknown
Running Time: 100 minutes
Directed By: Richard Linklater
Written By: Richard Linklater
Main Cast: Richard Linklater, Kim Krizan, Marc James, Stella Weir, John Slate

Note: I wanted to make a few notes, before I begin my actual post. 1) I forgot to mention it yesterday, but "Smiles of a Summer Night" was my 500th post on this blog - yet another cool milestone to bask in. 2) I've mentioned it a few other times before, but wanted to give anyone who may be reading this book or anyone who may be interested in buying a copy of the "1001 Movies You Must See Before You Die" book, a head's up. The running times are almost always wrong! They're usually only off by a few minutes, but still, 90% of the time they're not accurate. 3) I've downgraded my Netflix back to "2 movies out at a time" and so "Bergman Week" will probably be interrupted quite frequently by movies that are currently streaming or movies that I own. And now, on with the show.

A SLICE OF 90s AMERICAN LIFE

This leaves the streaming portion of Netflix in a few days, so I figured why not give it a look and avert adding it to my "At Home" queue. I watched it last night and avoided writing the review immediately because A) I was dead tired and B) I needed some time to think about it.

I say this a lot nowadays, but to relay the plot of this movie to you would be next to impossible, so I'll try to sum up the entire movie in a short paragraph. The film is Richard Linklater's first and is set in Austin, TX. The film follows dozens of twenty-somethings through a twenty-four hour day, as they talk about a wide range of topics, including JFK assassination conspiracies, alternate realities and Madonna's pap smear. The film begins with Linklater himself getting into the back of a taxicab and relaying a dream he had to the driver. He rambles on and on for a solid seven minutes about dreams, alternate realities and how every path on the yellow brick road in "The Wizard of Oz" is it's own movie. Some time later, he exits the cab, crosses the paths of another character and then we follow that particular character for five minutes or so, never to see Linklater again.

The most notable thing I took away with this movie is how well it captured 90s America. I was born in 1984, so I'm not quite part of Generation X. However, I am right on the outskirts of it and saw how teens and twenty-somethings acted in the early 90s. I'm not sure of the statistics, but you get the sense that the 90s is when a lot of things that used to be unheard of, started to become normal. Kids began dropping out of college at a higher rate, we started sleeping until noon and 1pm and we really lost a lot of our ambition. This film really captured that and really shows what it was like to be a college age person, living in America, in the early 1990s. Long haired men, donning jeans and logo t-shirts, of which about 50% were a part of a garage band. You had this influx of thinkers, who really had nowhere to take their thoughts, and would sit around in coffee houses and spout ideas. Such as people who thought they had all the answers on the JFK assassination and how much of a conspiracy was going on in Dallas, despite the fact that they weren't living then.

I could understand anyone saying they didn't like this film, because it's not an easy movie to like. In fact, I wasn't even sure if I liked it at first. But as I spent the day whirling it around and around my head, I realized that it must have left some kind of impression on me, because I couldn't stop thinking about it. The dialogue, while sometimes nonsensical, is actually really good and it's shouldn't be a surprise that this was Kevin Smith's inspiration for making "Clerks". There were moments during this film where I couldn't help but think, "This is so stupid", but then five minutes later I'd be mentally praising it for being so clever. It's an odd one to get a read on, even from my own perspective, but I think it's one that will work for the right audience.

RATING: 7/10 For the record, I do think that that Linklater's later efforts, "Before Sunrise" and "Before Sunset" would have been more suitable candidates for this "must see" text. However, as it is, this is Linklater's only film in THE BOOK.

MOVIES WATCHED: 403
MOVIES LEFT TO WATCH: 598

January 19, 2012 5:43pm

Enviar por correo electrónicoEscribe un blogCompartir en XCompartir con Facebook
Posted in Richard Linklater | No comments
Entrada más reciente Entrada antigua Inicio

0 comentarios:

Publicar un comentario

Suscribirse a: Enviar comentarios (Atom)

Popular Posts

  • 411. Khaneh siah ast/The House is Black (1963)
    Running Time: 22 minutes Directed By: Forugh Farrokhzad Written By: Forugh Farrokhzad Main Cast: (narration): Ebrahim Golestan, Forugh F...
  • From 30's to 40's
    I've spent a considerable amount of time getting to know the scope of cinema that was the 1930s. It was a colorful decade, full of lots ...

Categories

  • Aditya Chopra
  • Agnes Varda
  • Albert Brooks
  • Alejandro Jodorowsky
  • Aleksandr Dovzhenko
  • Alexander Mackendrick
  • Alexander Payne
  • Alfred Hitchcock
  • Amy Heckerling
  • Anatole Litvak
  • Andre Delvaux
  • Ang Lee
  • Arthur Penn
  • Barbet Schroeder
  • Ben Sharpsteen
  • Blake Edwards
  • Bob Clark
  • Bob Fosse
  • Bong Joon-ho
  • Busby Berkeley
  • Carl Reiner
  • Carl Theodor Dreyer
  • Carlos Saura
  • Carol Reed
  • Chantal Akerman
  • Charles Chaplin
  • Charles Crichton
  • Charles Vidor
  • Chris Marker
  • Christopher Nolan
  • Claude Chabrol
  • Curtis Hanson
  • Daniel Myrick
  • Danis Tanovic
  • Dario Argento
  • Dariush Mehrjui
  • David Cronenberg
  • David Hand
  • David Lean
  • David Zucker
  • Derek Jarman
  • Don Siegel
  • Dorothy Arzner
  • Douglas Sirk
  • Edgar G. Ulmer
  • Eduardo Sanchez
  • Edward Dmytryk
  • Edward F. Cline
  • Edward Yang
  • Elaine May
  • Elia Kazan
  • Elmar Klos
  • Emeric Pressburger
  • Emile de Antonio
  • Eric Rohmer
  • Ernest B. Schoedsack
  • Ernst Lubitsch
  • Errol Morris
  • F.W. Murnau
  • Federico Fellini
  • Fei Mu
  • Florian Henckel von Donnersmarck
  • Forugh Farrokhzad
  • Franco E. Prosperi
  • Francois Girard
  • Frank Capra
  • Frank Darabont
  • Frank Lloyd
  • Franklin J. Schaffner
  • Fred Schepisi
  • Fred Zinnemann
  • Fritz Lang
  • Garry Marshall
  • Gaspar Noe
  • Gene Kelly
  • George A. Romero
  • George Cukor
  • George Marshall
  • George Roy Hill
  • George Stevens
  • George Waggner
  • Georges Franju
  • Gillo Pontecorvo
  • Gregory La Cava
  • Gualtiero Jacopetti
  • Guy Hamilton
  • Hal Ashby
  • Hal Hartley
  • Hamilton Luske
  • Hans Petter Moland
  • Harold Ramis
  • Hayao Miyazaki
  • Hector Babenco
  • Hideo Nakata
  • Hiroshi Teshigahara
  • Howard Hawks
  • Humphrey Jennings
  • Ingmar Bergman
  • Ivan Reitman
  • Jacques Tourneur
  • James Foley
  • James L. Brooks
  • James Whale
  • Jan Kadar
  • Jan Svankmajer
  • Jane Campion
  • Jay Roach
  • Jean Renoir
  • Jean Vigo
  • Jean-Luc Godard
  • Jean-Pierre Jeunet
  • Jean-Pierre Melville
  • Jerome Robbins
  • Jerry Lewis
  • Jim McBride
  • Jim Sharman
  • Jim Sheridan
  • Jiri Menzel
  • Joe Wright
  • Joel Coen
  • John Boorman
  • John Carney
  • John Carpenter
  • John Ford
  • John Frankenheimer
  • John G. Avildsen
  • John Hughes
  • John Huston
  • John Landis
  • John Lasseter
  • John McTiernan
  • John Schlesinger
  • Jonathan Dayton
  • Jonathan Demme
  • Josef von Sternberg
  • Joseph L. Mankiewicz
  • Joseph Losey
  • Julien Duvivier
  • Karel Reisz
  • Ken Loach
  • Kenji Mizoguchi
  • Kenneth Anger
  • Kevin Costner
  • Kevin Smith
  • Kim Ki-duk
  • King Hu
  • King Vidor
  • Larry Charles
  • Lars von Trier
  • Lawrence Kasdan
  • Leni Riefenstahl
  • Leo McCarey
  • Lewis Milestone
  • Lindsay Anderson
  • Lloyd Bacon
  • Lowell Sherman
  • Luis Bunuel
  • Ma-Xu Weibang
  • Marcel Carne
  • Mark Sandrich
  • Marlon Brando
  • Martin Ritt
  • Mel Brooks
  • Mel Stuart
  • Merian C. Cooper
  • Mervyn LeRoy
  • Michael Curtiz
  • Michael Haneke
  • Michael Moore
  • Michael Powell
  • Michael Snow
  • Michelangelo Antonioni
  • Mike Hodges
  • Mike Nichols
  • Miklos Jancso
  • Nelson Pereira dos Santos
  • Norman Jewison
  • Norman Z. McLeod
  • Olivier Dahan
  • Orson Welles
  • Otto Preminger
  • Paolo Cavara
  • Park Chan-wook
  • Paul Haggis
  • Paul Thomas Anderson
  • Penny Marshall
  • Peter Bogdanovich
  • Peter Greenaway
  • Peter Jackson
  • Peter Watkins
  • Peter Weir
  • Phillip Noyce
  • Pier Paolo Pasolini
  • Preston Sturges
  • Quentin Tarantino
  • Randa Haines
  • Raoul Walsh
  • Ray Lawrence
  • Rene Clair
  • Richard Attenborough
  • Richard Lester
  • Richard Linklater
  • Rob Reiner
  • Robert Aldrich
  • Robert Benton
  • Robert J. Flaherty
  • Robert Mulligan
  • Robert Redford
  • Robert Rossen
  • Robert Wise
  • Roger Corman
  • Roman Polanski
  • Rouben Mamoulian
  • Sacha Guitry
  • Sam Mendes
  • Sam Raimi
  • Sam Wood
  • Sergei Parajanov
  • Sergei Yutkevich
  • Sergio Leone
  • Sidney Lumet
  • Stan Brakhage
  • Stanley Donen
  • Stephen Frears
  • Steve James
  • Steven Soderbergh
  • Steven Spielberg
  • Stuart Rosenberg
  • Takashi Miike
  • Tay Garnett
  • Terence Fisher
  • Theo Angelopoulos
  • Thomas Vinterberg
  • Tim Burton
  • Tod Browning
  • Valerie Faris
  • Vera Chytilova
  • Victor Fleming
  • W.S. Van Dyke
  • Wes Craven
  • William A. Seiter
  • William A. Wellman
  • William Cameron Menzies
  • William Dieterle
  • William Friedkin
  • William Keighley
  • William Wyler
  • Wim Wenders
  • Wojciech Has
  • Wolfgang Reitherman
  • Woody Allen

Blog Archive

  • ▼  2012 (81)
    • ►  mayo (10)
    • ►  abril (20)
    • ►  marzo (11)
    • ►  febrero (1)
    • ▼  enero (39)
      • 404. Nattvardsgasterna/Winter Light (1963)
      • 378. Sasom i en spegel/Through a Glass Darkly (1961)
      • 469. Wavelength (1967)
      • 318. Smultronstallet/Wild Strawberries (1957)
      • 974. Kill BIll: Volume One (2003)
      • 316. Det sjunde inseglet/The Seventh Seal (1957)
      • 839. SLACKER (1991)
      • 298. Sommarnattens leende/Smiles of a Summer Night...
      • UPDATE - January 2012
      • TOP 20: #302 - #401
      • 502. In the Year of the Pig (1969)
      • 788. Topio stin omichli/Landscape in the Mist (1988)
      • The Road to 500 Begins Soon...
      • 389. The Manchurian Candidate (1962)
      • 428. Il Vangelo secondo Matteo/The Gospel Accordin...
      • Bergman Week - COMING NEXT WEEK
      • 544. CABARET (1972)
      • 436. La battaglia di Algeri/The Battle of Algiers ...
      • Bergman Week - COMING SOON
      • 200. Odd Man Out (1947)
      • 377. The Ladies Man (1961)
      • 397. The Nutty Professor (1963)
      • Bergman Week - COMING SOON
      • 393. What Ever Happened to Baby Jane? (1962)
      • 458. 2 ou 3 choses que je sais d'elle/Two or Three...
      • 456. Masculin, Feminin/Masculine-Feminine (1966)
      • Bergman Week - COMING SOON
      • 533. Get Carter (1971)
      • 443. Pierrot le Fou/Pierrot Goes Wild (1965)
      • 439. Alphaville, une etrange aventure de Lemmy Cau...
      • The Final 15 and Other Notes
      • Bergman Week - COMING SOON
      • 402. Le Mepris/Contempt (1963)
      • 453. In the Heat of the Night (1967)
      • 547. SLEUTH (1972)
      • Bergman Week - COMING SOON
      • 394. Vivre sa vie: film en douze tableaux/My Life ...
      • December 2011 Recap
      • 348. A bout de souffle/Breathless (1959)
  • ►  2011 (216)
    • ►  diciembre (30)
    • ►  noviembre (19)
    • ►  octubre (17)
    • ►  septiembre (2)
    • ►  agosto (23)
    • ►  julio (47)
    • ►  junio (9)
    • ►  mayo (1)
    • ►  abril (25)
    • ►  marzo (20)
    • ►  febrero (22)
    • ►  enero (1)
  • ►  2010 (190)
    • ►  diciembre (2)
    • ►  noviembre (32)
    • ►  octubre (32)
    • ►  septiembre (27)
    • ►  julio (8)
    • ►  junio (4)
    • ►  mayo (1)
    • ►  marzo (25)
    • ►  febrero (34)
    • ►  enero (25)
  • ►  2009 (12)
    • ►  diciembre (12)
Con la tecnología de Blogger.

Datos personales

Unknown
Ver todo mi perfil